Dr Christina Ballico

Dr Christina Ballico
Dr Christina Ballico
Dr Christina Ballico

Lecturer

About

Biography

Hailing from Perth, Western Australia, I research and teach in the field of popular music studies. I am the editor of Geographically Isolated and Peripheral Music Scenes: Global insights and perspectives (Palgrave, 2021), and the co-editor of Music Cities: Evaluating a global cultural policy concept (Palgrave, 2020). I am a Collaborator with the global research NGO Center for Music Ecosystems, an Editorial Board Member for the Anthem Impact in Music Business, Technology and Culture series, and Member-at-Large of the International Association for the Study of Popular Music (IASPM). I have undertaken a range of research consultancies for music advocacy bodies and state government arts' departments in my native Australia and was the Research Fellow (2016 - 2019) on the Australian Research Council Linkage Project, Making Music Work: Sustainable portfolio careers for Australian musicians (LP 150100497).

My research is primarily focused on examining the structure and function of place-based music industries and scenes, including their associated career, business, and infrastructure development, and music-related urban governance. In turn, it considers the role of music in creative and cultural cities paradigms - including the music cities concept and the emergent music ecosystems framework - and places a strong focus on the influences of locality, particularly geographical isolation and peripherality, on the ways in which music industries and scenes function.

I am currently writing a manuscript for the Bloomsbury 33 1/3 Oceania series on The Triffids' breathtaking 1986 album Born Sandy Devotional, while continuing to expand on my research agenda in music's relationship to place. This includes upcoming research and publishing projects exploring the capacity for arts and cultural engagement within chronourbanist frameworks, and the place-specific impacts of creative and cultural cities frameworks and associated initiatives.

External Memberships

Editorial Board Member, Anthem Impact in Music Business, Technology and Culture series: 2024 - Present

Member-at-Large, International Association for the Study of Popular Music: 2023 - Present

Collaborator, Center for Music Ecosystems: 2021 - Present

Editorial Board Member, IASPM Journal: 2019 - 2023

Publications

Page 1 of 2 Results 1 to 25 of 28

  • Taking music to the (museum) masses: Museum Engagement with the Country and Grunge Music Heritages of Nashville and Seattle

    Ballico, C.
    New Geographies of Music 2: Music in Urban Tourism, Heritage Politics, and Place-Making. Johansson, O., Guillard, S., Palis, J. (eds.). 1 edition. Palgrave Macmillan, pp. 97-116, 20 pages
    Chapters in Books, Reports and Conference Proceedings: Chapters (Peer-Reviewed)
  • The Portfolio Music Career: Understanding the Australian experience.

    Ballico, C.
    The Intellect Handbook of Global Music Industries. Anderton, C., James, M., Nordgård, D., Pisfil, S. (eds.). Intellect Ltd.
    Chapters in Books, Reports and Conference Proceedings: Chapters (Peer-Reviewed)
  • Capacity building and professional development in contemporary music careers: An Australian contemporary music case study

    Ballico, C., Foran, S.
    International Journal of Music Education
    Contributions to Journals: Articles
  • ‘Cities’

    Ballico, C., Watson, A.
    M/C Journal, vol. 25, no. 3, pp. 1-6
    Contributions to Journals: Editorials
  • Music cities or cities of music?

    Ballico, C., Carter, D.
    Researching Live Music: Gigs, Tours, Concerts and Festivals.. Anderton, C., Pisfil, S. (eds.). Routledge, 13 pages
    Chapters in Books, Reports and Conference Proceedings: Chapters (Peer-Reviewed)
  • You get to know the scene inside out, but the cost of travel is a burden: The impacts of isolation and peripherality on the contemporary music scene of Perth, Western Australia.

    Ballico, C.
    Geographically isolated and peripheral music scenes: Global insights and perspectives.. Ballico, C. (ed.). Palgrave Macmillan, pp. 35-53, 18 pages
    Chapters in Books, Reports and Conference Proceedings: Chapters (Peer-Reviewed)
  • Geographically Isolated and Peripheral Music Scenes: Global Insights and Perspectives

    Ballico, C. (ed.)
    Books and Reports
  • Eco-friendly practices and pro-environmental behaviours: the Australian folk and world music festival perspective.

    Ballico, C., Vazquez-Alonso, M.
    Arts and the Market, vol. 11, no. 2, pp. 76-91
    Contributions to Journals: Articles
  • Caught in the act: the impact of liquor regulation on original live music activity in Perth, Western Australia

    Ballico, C.
    International Journal of Cultural Policy, vol. 27, no. 3, pp. 394-408
    Contributions to Journals: Articles
  • A long way to the top: Australian musicians balance multiple roles to make their careers work.

    Bartleet, B., Green, B., Ballico, C., Bennett, D., Bridgstock, R.
    The Conversation
    Contributions to Specialist Publications: Articles
  • Building capacities in the West Australian music sector: Mentoring and other opportunities

    Ballico, C.
    Books and Reports: Commissioned Reports
  • Fair play WA: Gender discrimination and sexual harassment in Western Australia’s contemporary music industry and scene.

    Ballico, C.
    West Australian Music
    Books and Reports: Commissioned Reports
  • Making Music Work: Sustainable Portfolio Careers for Australian Musicians: Australian Research Council Linkage Report

    Bartleet, B., Bennett, D., Bridgstock, R., Harrison, S., Draper, P., Tomlinson, V., Ballico, C.
    Queensland Conservatorium Research Centre: Griffith University. 122 pages
    Books and Reports: Commissioned Reports
  • Music Cities: Evaluating a Global Cultural Policy Concept

    Ballico, C. (ed.), Watson, A. (ed.)
    Books and Reports
  • 'It allowed me to deliver the biggest show of their national tour': An examination of contemporary live music festivals in peripheral and geographically isolated locales.

    Ballico, C.
    Marginalisation and Events. Walters, T., Jepson, A. (eds.). Routledge, 14 pages
    Chapters in Books, Reports and Conference Proceedings: Chapters (Peer-Reviewed)
  • Building sustainable portfolio careers in music: Insights and implications for higher education

    Bartleet, B., Ballico, C., Bennett, D., Bridgstock, R., Draper, P., Tomlinson, V., Harrison, S.
    Music Education Research, vol. 21, no. 3, pp. 282-294
    Contributions to Journals: Articles
  • Everyone wants a festival: The Growth and Development of Western Australia's Contemporary Live Music Festival Sector

    Ballico, C.
    Event Management, vol. 22, no. 2, pp. 111-121
    Contributions to Journals: Articles
  • A state of constant prodding: live music, precarity and regulation

    Ballico, C., Carter, D.
    Cultural Trends, vol. 27, no. 3, pp. 203-217
    Contributions to Journals: Articles
  • Another typical day in this typical town: place as inspiration for music creation and creative expression.

    Ballico, C.
    Australian Geographer, vol. 48, no. 3, pp. 349-363
    Contributions to Journals: Articles
  • Caught in the act: Live music and liquor licensing.

    Ballico, C.
    Books and Reports: Commissioned Reports
  • 'Place'

    Ballico, C., Watson, A.
    M/C Journal, vol. 19, no. 3
    Contributions to Journals: Editorials
  • Live music, liquor and the city: An examination of the influence of liquor regulation on place-specific live music activity.

    Ballico, C.
    Cidades Comunidades e Territórios, vol. 32, pp. 103-117
    Contributions to Journals: Articles
  • Perth: An examination of the one movement for music festival which was a three to five year plan, but stopped after two

    Ballico, C., Green, L.
    Culture, creative industries and urban regeneration: Narratives on creative urban development from around the world.. Kunzmann, K., Yan, T. (eds.), pp. 126-133
    Chapters in Books, Reports and Conference Proceedings: Chapters (Peer-Reviewed)
  • Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry.

    Ballico, C.
    Perfect Beat, vol. 16, no. 1-2
    Contributions to Journals: Articles
  • The people who watch the bands are the people who are in the bands: The influence of social networks and social capital on creative and business activity in local music scenes.

    Ballico, C.
    Chapters in Books, Reports and Conference Proceedings: Conference Proceedings
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