Date |
Speaker |
Affiliation |
Title |
Friday 17th October 2008 |
Irene Watt |
Elphinstone Institute, University of Aberdeen |
The power of the lullaby |
Friday 24th October 2008 |
Peter Tuite |
|
Theology in Messiaen |
Friday 31st October 2008 |
Richard Ingham, saxophonist |
University of St Andrews |
From Pennan to Penang |
Friday 14th November 2008 |
Robert Scott Thompson, composer |
Georgia State University |
Breaking Sound Barriers |
Friday 28th November 2008 |
Prof. Jonathan Stephens |
Department of Music, University of Aberdeen |
Identity Crisis |
Friday 5th December 2008 |
Dr Edward Campbell |
Department of Music, University of Aberdeen |
Boulez, the Man and his Music |
Friday 12th December 2008 |
Dr Pam Burnard |
University of Cambridge |
Composing in the Classroom |
Friday 6th February 2009 |
Dr Colin Durrant |
Institute of Education, University of London |
Leadership and Communication through effective choral conducting |
Friday 20 February 2009 |
Dr Emily Doolittle |
Cornish College of the Arts, Seattle |
‘Other Species Counterpoint’: Birdsong and Music |
Friday 27th February 2009 |
Fiona-Jane Brown |
Elphinstone Institute, University of Aberdeen |
The Fishermen Hung the Monkey-O’: A Comic Ballad and Its Implications for Cultural Identity in Two British Fishing Communities |
Friday 6th March 2009 |
Prof. Bennett Zon |
University of Durham |
Romantic Evolutionism and the Art of Teaching Children Music |
Friday 20th March 2009 |
Paula Bishop-Liebler, PhD Student |
Institute of Education, University of London |
Linguistic and non-linguistic auditory processing skills in conservatoire level musicians, with and without developmental dyslexia |
Friday 27th March 2009 |
Ross Whyte |
Department of Music, University of Aberdeen |
Visual Music: Synaesthesia and Multi-Sensory Perception |
Friday 1st May 2009 |
Prof. Lucy Green |
Institute of Education, University of London |
Informal learning, aural learning and the instrumental music lesson: Some work-in-progress |
Friday 8th May 2009 |
Prof. Nick Clapton |
Royal Academy of Music, London |
Vocal Myths and Vocal Legends – The Castrato and the Countertenor |