Introduction
Studying English at Aberdeen gives you all the advantages of a top class teaching, research and creative hub. You will be taught by internationally renowned academics, writers and poets in the wonderful environment of a historic university with an award-winning library, outstanding literary treasures, and a vigorous calendar of literary events.
Study Information
At a Glance
- Learning Mode
- On Campus Learning
- Degree Qualification
- MA
- Duration
- 48 months
- Study Mode
- Full Time
- Start Month
- September
- UCAS Code
- Q300
- Pathway Programme Available
- Undergraduate Foundation Programme
Aberdeen is a leading centre for the study of literature, language and creative writing and assessed as second in the UK for the quality of its research output and third in Scotland for creative writing.
You will study poetry, drama and prose by considering the dynamic relationship between author, reader or audience and literary text. You will study every period from Chaucer, Shakespeare and Milton to contemporary English, Scottish, Irish, European and American writing and examine the cultural and critical impact of powerful and controversial modern works.
You will gain inspiration and guidance from dedicated teachers and researchers who have published internationally recognised literary criticism and award-winning creative works. You will also benefit from the presence of several world-class Research Centres located in the School of Language, Literature, Music and Visual Culture such as the Centre for the Novel, The Grierson Centre and the WORD Centre for Creative Writing.
Our flexible, modular curriculum gives you the core writing, research, computational and presentation skills vital to many careers. You will also be encouraged to pursue your particular interests while ranging widely across the many exciting areas of English studies, with career options as diverse as publishing, teaching, research, journalism, business, or speech therapy.
And you will thrive in our friendly and vibrant international community, on our beautiful medieval campus with great facilities for learning, sports and leisure and many opportunities to develop extra skills and interests and to broaden your horizons through study abroad.
What You'll Study
English at Aberdeen offers a diverse programme that covers all periods of English Literature. The range of courses on offer will enable you to specialise in specific areas of study in your final years. You will gain an in-depth understanding of English by studying topics such as poetry, prose, controversial classics, Shakespeare, Medieval and Renaissance literature, Victorianism and Modernism, including contemporary Scottish and Irish literature.
- Year 1
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Compulsory Courses
- Getting Started at the University of Aberdeen (PD1002)
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This course, which is prescribed for level 1 undergraduate students and articulating students who are in their first year at the University, is studied entirely online, is studied entirely online, takes approximately 2-3 hours to complete and can be taken in one sitting, or spread across the first 4 weeks of term.
Topics include University orientation overview, equality & diversity, MySkills, health, safety and cyber security, and academic integrity.Successful completion of this course will be recorded on your Transcript as ‘Achieved’.
- Acts of Reading (EL1009)
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15 Credit Points
This course introduces students to the study of English by exploring the dynamic relationship between author, reader and text in a series of classic works of fiction and poetry. It covers a broad historical range (from Folk Tales and ballads to 21st century postmodernity) and offers a basic grounding in key elements of literary theory, literary history and the varieties of literary form.
- Controversial Classics (EL1513)
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15 Credit Points
Literature can provoke, offend and disturb as well as entertain. This course considers some of the most powerful and controversial works of modern literature. It examines the circumstances of publication, the nature of the controversy, and the cultural and critical impact of each work. The course shows how poems, plays and novels can raise searching questions about national, racial and personal identity, and looks at the methods used by writers to challenge their readers, as well the responses of readers to such challenges.
- Rethinking Reading (EL1536)
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15 Credit Points
'Rethinking Reading' complements the module ‘Acts of Reading’. Intended primarily for students with degree intentions in English, this course introduces key areas in critical theory that inform the current work of staff at Aberdeen. It asks students to consider the history of English studies and its relationship to colonialism, and how this impacts on conceptions of literature and authorship, alongside topics such as gender and sexuality, and genre. Through a series of modules, the course introduces each area of theory alongside a literary text used as a case study. The course supports students in learning to read and use critical theory in your work, incorporating reflective learning and a practical focus on the techniques involved in critical writing.
- Academic Writing for Language & Literature (AW1008)
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This compulsory evaluation is designed to find out if your academic writing is of a sufficient standard to enable you to succeed at university and, if you need it, to provide support to improve. It is completed on-line via MyAberdeen with clear instructions to guide you through it. If you pass the evaluation at the first assessment it will not take much of your time. If you do not, you will be provided with resources to help you improve. This evaluation does not carry credits but if you do not complete it this will be recorded on your degree transcript.
Optional Courses
Select further courses of choice to make up 120 credit points.
- Year 2
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Compulsory Courses
- Encounters with Shakespeare (EL2011)
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30 Credit Points
So you think you know Shakespeare? This course invites you to think again. Studying a range of plays we get behind the mythology of Shakespeare, and rediscover the dynamic inventiveness of the Elizabethan theatre. Shakespeare and his contemporaries were the principal players in a period of literary experimentation that reinvented the possibilities of literature. Encounters with Shakespeare is your chance to find out more.
Optional Courses
Select ONE OR BOTH of the following courses listed below, plus further courses of choice to make up 120 credit points.
- EL2018 Power, Empire and Equality
- The Tragedy of Knowledge (EL2512)
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30 Credit Points
This course traces the use of key Western myths from antiquity to the present to examine the way knowledge is often presented as both dangerous and compelling. As well as introducing students to a range of historical, social, and formal variations on the theme of knowledge, the course also highlights the role of storytelling and adaptation in the formation of knowledge and understanding.
- Power, Empire and Equality (EL2518)
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30 Credit Points
This optional course in literature allows students at pre-Honours to learn about the impact of global colonialism through the writings of those who experienced it and its repercussions. It includes theorists of our time and texts like Daniel Defoe’s Robinson Crusoe and Buchi Emecheta’s Second Class Citizen. The texts on this course are necessarily concerned with enslavement and freedom, with how one encounters difference, and what it means to possess or claim territory. In examining these issues students will engage with issues of power and equality over centuries of writing about colonialism and empire.
- Year 3
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Optional Courses
Select ONE course from EACH of the following categories:
Medieval/Renaissance Literature
- EL30CP: Page and Stage: Renaissance Writings 1500-1640
- EL35DQ: Knights, Virgins and Viragos: Chaucer and Medieval Writing
Romantic/Victorian Literature
- EL30XR: Romanticism
- EL30VC: Fallen Women and Self-Made Men
- EL35VB: Bildungsroman to Alien Invasion
- EL30SB: Britain and the 19th Century World
- EL35QA: Sympathy for the Devil: Scottish Short Stories
Contemporary/Modern Literature
- EL35KN: Haunted Texts
- EL30FF: Modernism: Make it New
- EL30RD: American Voices: Self and Society,1850-1930
- EL30WC: Queer Times
- EL35UT: Art and Atrocity: Representations of Violence and Trauma
- EL35UT: Art and Atrocity: Representations of Violence and Trauma
- EL35ZF: Images Adequate to Our Predicament: Art for the Anthropocene
Plus ONE course from the following:
- EL30YB: Creative Writing: Creativity and Craft
- CE301C: Celtic Encounters: The Gaelic World in
Irish and Scottish Literature
- Page and Stage: Renaissance Writings 1500 - 1640 (EL30CP)
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30 Credit Points
This course explores the poetry, drama and prose of a period often referred to as the golden age of English literature. A period which saw Shakespeare and his contemporaries produce innovative new literary works in which the language of desire took centre stage.
- Knights, Virgins and Viragos: Chaucer and Medieval Writing (EL35DQ)
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30 Credit Points
Knights, Virgins, and Viragos offers an introduction to the variety of medieval literature and culture. Turning a critical eye on the role misconceptions of the Middle Ages play in present day white supremacy, the course highlights genres from medieval drama to life writing, with attention to the medieval history of race making and modern responses to medieval texts.
- Modernism: Make IT New (EL30FF)
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30 Credit Points
The early twentieth century was a time of great literary experimentation as literary modernists rose to the challenge to make it new. We will explore modernism’s stylistic experimentation while also considering the social contexts and changes that shaped this literature. The course will examine a range of writers, genres, movements and locations which prompt us to consider what, when and where was modernism.
- American Voices: Self and Society, 1850 - 1930 (EL30RD)
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30 Credit Points
This course examines an important and diverse period in the development of American literature, lasting from the mid-nineteenth century until the 1930s. During the course we will be analysing works by a variety of American writers from this period in their historical, social and political contexts as well as considering the ways in which they pioneered innovative literary forms and techniques.
- Fallen Women and Self - Made Men (EL35VC)
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30 Credit Points
The Victorian period is often seen as a time of sexual repression and rigid gender roles, in which men and women were expected to perform in accordance with established codes of behaviour that were based on assumptions about innate masculinity and femininity. While this perception of Victorian attitudes may be true to some extent, many Victorians were well aware of the dangers of gender stereotyping, and wrote fiction in order to interrogate and challenge these expectations. Focussing mainly on the novel, but including some poetry and drama, this module explores how Victorian writers engaged with gender stereotypes, and considers the literary tactics that authors used to re-examine, overthrow and sometimes reaffirm them. We will also consider how these stereotypes changed during the nineteenth century in response to public controversies and campaigns that kept questions of gender at the forefront of public consciousness. Figures such as the Fallen Woman, the Self-Made man and the Angel in the House will be explored in texts by authors including Emily Brontë, Christina Rossetti, Robert Louis Stevenson and Thomas Hardy.
- Romanticism (EL30XR)
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30 Credit Points
The Romantic movement swept Europe in the late eighteenth and early nineteenth centuries and produced some of the most innovative and exciting literature that has ever been seen. This rule breaking art helped shape the way that we consider art today and underpins many of our ideas about imagination, originality, creativity and self-expression. This course will explore the ways in which the Romantic movement manifested itself across Britain and Ireland and will consider writers such as Blake, Wordsworth, Coleridge, Scott, Austen and Byron.
- Sympathy for the Devil: Scottish Short Stories (EL30QA)
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30 Credit Points
While the short story is often said to have developed in America, nineteenth-century Scottish writing is in fact instrumental in the emergence of the form. Often drawing on oral and folk traditions Scottish writers in the nineteenth and early twentieth centuries employ the supernatural, or our fear of it, to explore subjects such as guilt, fear, remorse and the extent to which we can control our own destinies. This course will explore the ways in which the short story in Scotland develops from the early nineteenth century until the beginning of the twentieth. It will include writers such as Walter Scott, James Hogg, John Galt, Margaret Oliphant, Robert Louis Stevenson, Arthur Conan Doyle and Jane Findlater.
- Haunted Texts (EL35KN)
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30 Credit Points
This course offers an overview of a wide range of twentieth-century Scottish literature, focusing on themes of haunting, death, and place. Including novels, short stories, poetry, and drama, the course explores questions of the relationship between self and society, the legacy of the past, and the formation of gendered and regional identities. There are lots of ghosts.
- Art and Atrocity: Representations of Violence and Trauma (EL35UT)
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30 Credit Points
How is the artist to respond when the virtual becomes the real and when words cannot carry the weight of trauma? How can an author avoid the accusations of voyeuristic prurience or crass opportunism when he or she attempts to re-present events of public violence? This multi-disciplinary course examines work from a wide range of modes, including fiction, poetry, film and graphic art, and looks at the difficulties of inscribing trauma and the ethics and praxis of remembrance. Key events covered include the Holocaust, the Sabra and Shatila massacre, 9-11, the Gulf War and the conflict in the Balkans.
- Creative Writing: Creativity and Craft (EL35YB)
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30 Credit Points
This course offers students the opportunity, through lectures and interactive workshops, to develop their understanding of, and practical skills in, the writing of prose fiction, poetry and creative non-fiction. Taught by widely published, award-winning writers, it provides a thorough, practice-based understanding of creative process and of the technical challenges involved in developing an original idea into a completed literary artefact, presented to a professional standard. It also contributes to students' future career potential, whether as ‘creative’ or other kinds of professional writers/communicators.
- Britain and the Nineteenth - Century World (EL35SB)
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30 Credit Points
The Romantic (1782-1832) and Victorian (1832-1901) periods were ones of remarkable activity for British citizens abroad. Imperial expansion, increasing international trade, major conflicts and growing mass migration all drew more British citizens than ever into contact with the wider world. This course explores the footprints left by these interactions in nineteenth-century literature. Writers covered may include Henry Derozio, Jane Austen, Mary Prince, Robert Louis Stevenson and Arthur Conan Doyle.
- Landmarks of Modern Austrian Literature (LA3515)
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30 Credit Points
This course examines several landmark texts of modern Austrian literature. We will look at Schnitzler’s examination of bourgeois hypocrisy in Fräulein Else, Kafka’s dystopian novel Das Schloss [The Castle], Bachmann’s depiction of a female subject’s struggle for identity in Malina, and Bernhard’s critique of the long shadow of Austria’s past in Heldenplatz. We will examine the works’ social and historical contexts, as well as the authors’ innovative style and use of language.
- Playful Fictions: Cervantes, Borges, Cortazar (LA351E)
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30 Credit Points
The course will study three of the best-known writers of fictions that engage the reader in a playful manner: Miguel de Cervantes from Spain, Jorge Luis Borges and Julio Cortázar from Argentina. We will read selections from Cervantes’ masterpiece the Don Quixote de la Mancha and short stories by the other two writers. We will study the digital inflections of these writers, all of whom challenge reality and the borders between virtual (fictional) and physical worlds.
- Landscapes of Film and Literature (FS35ZB)
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30 Credit Points
This course will invite students to explore the ways film and literature can engage with and represent a variety of landscapes, and how, in turn, landscape can influence both the production of the work and the creation of meaning. We will study selected works of film and literature from the twentieth and twenty-first centuries, including mainstream and independent cinema, poetry, and fiction and non-fiction literary texts that have been adapted for film. We will look at ways in which various landscapes may have been appropriated for their emotive qualities: to connote feelings of desolation, oppression or plenitude; loneliness, fear or joy. We will also look at landscapes as sites of specific cultural history. As the course progresses, drawing on contemporary research in cultural and human geographies, and elsewhere, we will explore the ways that studying landscapes of film and literature can assist in our ability to conceive landscape not only as a static or symbolic entity, but as a highly mobile, interactive site in which history, experience and materiality converge in the ongoing production of space and meaning. In this way, we will consider how the works studied articulate John Wylie’s provocative claim that ‘landscape is tension’.
This interdisciplinary course will draw on writings from literary, film and cultural theorists, philosophers, artists and social scientists.
- Year 4
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Compulsory Courses
- English Dissertation (EL4502)
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30 Credit Points
Students will have the opportunity to write a dissertation on a topic of their choosing within English literature.
Optional Courses
Plus 90 credit points from the following courses:
- Not the Queen's English (EL40SC)
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30 Credit Points
This course will focus on the ways in which non-standard English is used within anglophone literary texts from the late-eighteenth century to the present day. Classes will cover a wide range of geographical spaces and publishing contexts discussing Scots-language poetry, postcolonial approaches to English, and African-American literature. Authors covered may include: Robert Burns, Zora Neale Hurston, Anne Donovan, Jackie Kay, Chinua Achebe, Tom Leonard, and Percival Everett.
- Staging the City: Renaissance Urban Drama (EL40AD)
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30 Credit Points
Drama was the entertainment phenomenon of the early modern period: a popular art form that developed swiftly and attracted mass audiences. London was both the city that played host to this new cultural form, and the subject of much of its output. The course will examine the relation between life in the early modern city and the great flowering of drama by celebrated authors of the period. Using works by well-known writers such as Middleton, Jonson and Shakespeare, as well as lesser known authors, we will explore how the plays of the period engage with key concerns of urban living.
- Literature and Medicine (EL40HQ)
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30 Credit Points
This course explores the relationship between literature and medicine, and asks what kind of ground the two disciplines might share and how they might enrich one another. The use and abuse of literary concepts in medical practice and of medical ideas and history in literature will be considered along with the literary representations of the physician and narratives of illness, focusing on the nineteenth and early twentieth centuries. The final part of the course explores the representation of psychiatry and psychiatric theory in twentieth- and twenty-first century literature.
- Wandering Women: Literature, Place and Environment (EL40JA)
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30 Credit Points
This course explores the work of women writers with particular emphasis on the role of place (focused mostly, but not exclusively, on modernist women writers from the twentieth and twenty-first centuries). We will look at a number of different environments including urban, rural, domestic and trans-national spaces. We will analyse place in relation to a number of other themes such as gender, sexuality, race, spirituality and creativity. We will read a number of canonical and lesser known women writers, working across various genres, including fiction, poetry and life-writing. Authors may include: Virginia Woolf, Zora Neale Hurston, Jean Rhys, Andrea Levy, Bernadine Evaristo, Elizabeth Bishop. Previous study of modernism is not required.
- The Corpo - Reality of Postcolonial Dystopias (EL40IQ)
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30 Credit Points
This course analyses a range of twenty-first-century postcolonial dystopian texts that focus on ‘other’ bodies and thematize corporeality and the spectrum of exploitation that is tied to the flesh. Bringing into focus contemporary anxieties around the fertile, racialized, and ‘other’ bodies in literary dystopias, the course theorises bodies as sites of violence and vulnerability, as well as sites of rebellion and resistance.
- Creative Writing: the Essential Skills (EL40PB)
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30 Credit Points
This course will focus on the practical techniques of writing short stories, extended fiction and some poetry. It will encourage students to consider assembling a block of skills which they will require to repeatedly construct functioning narratives. The course will examine the practical skills of creating subtle fictional depictions – or high drama – and consider how we establish what is at stake for the readers of our fiction. By the completion of the course, students will have assembled a skill set to tackle creative work in a variety of modes, and present and structure it to a professional level.
- Brief Encounters (EL40TL)
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30 Credit Points
Writing has not always been viewed as self-expression but for long periods of history was perceived as a branch of rhetoric or ‘persuasive speech’. ‘Brief Encounters’ examines some of the implications of this, combining textual analysis from a writerly perspective with creative writing practice in a workshop format.
- All for One: the Politics of Love and Friendship in Literature (EL40WH)
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30 Credit Points
This course focuses on the emphasis on sameness in conceptions of love and friendship in medieval and early modern literature, considering its implications for the history of sexuality, and its impact on political ideology. Students will be introduced to a variety of medieval texts in translation and supported in reading these alongside queer theory, trans studies, and work on the history of emotions.
- British Poetry of the 20th Century (EL40YN)
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30 Credit Points
This course will explore the work of some of the most influential and innovative voices in 20th century British poetry. Beginning with the Modernist revolution in technique, theory and taste, it will trace some of the main continuities and reactions that stemmed from the first decades of the century and which culminated in a richly diverse and fascinating late 20th century/early 21st century poetic landscape.
- Controversy and Drama: Marlowe to Revenge Tragedy (EL45CT)
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30 Credit Points
This course begins by considering the theatre that gave us Marlowe and Shakespeare, among other major dramatists, as an institution actively engaged in the controversies of politics and religion of the age. Part 1 of the course focuses on the plays of Christopher Marlowe, whose controversial life is unusually well documented and whose plays starkly anticipate later tensions in Elizabethan and Jacobean drama . Part 2 considers how those tensions in politics and religion developed in later drama, giving particular attention to the genre of revenge tragedy.
- Literature and Music (EL45HC)
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30 Credit Points
This course, taught jointly by staff in English and Music, explores the connections between literature and music. How have these art forms informed or overlapped with one another? What sorts of collaboration have taken place? How might literary and musical studies work across disciplinary boundaries? While the focus will be on the British nineteenth century, with case studies addressing different aspects of literary-musical interaction, there will be opportunities for students to address trans-historical theoretical issues and to research topics from other places and periods.
- Vulnerable Bodies, Precarious Lives (EL45KF)
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30 Credit Points
What does it mean to inhabit a vulnerable body, or to embrace and celebrate ideas of vulnerability more generally? How can literature help us understand the precarity and uncertainty that seem like an inherent part of contemporary life? This course offers an overview of twenty-first-century women’s fiction from a variety of traditions, and centres on themes of embodiment, community, fragmentation, and environment. Examined together, these texts highlight the generic and thematic diversity of contemporary women’s writing, and the way the self must always be reconstructed through literature in new ways.
- Screenwriting: the Narrative Within the Frame (EL45TM)
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30 Credit Points
This course will investigate different forms of scriptwriting by writers from a range of historical periods. We will be considering narrative form and content as shaped by subject selection and storytelling devices and structures. The filmic themes will be considered from aesthetic, historical and theoretical perspectives. Through a series of seminars, workshops and screenings, students will develop approaches to visualising film narratives, culminating in a scriptwriting folio of work.
- Amnesty, Amnesia, Archive (EL45UU)
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30 Credit Points
From 1968-1994, Northern Irish writers and visual artists found themselves addressing key questions: what is the role of the artist in a divided society, and must s/he engage with political events? This course considers how the artists framed these dilemmas and how they have been framed by them. Following the outbreak of peace in the province, the role of artists changed: their work now focused on the victims of violence and to demand justice. This course examines the different approaches taken to remembrance by writers/artists and explores the ways in which memory and trauma are framed in their work.
- Sex and Death: Exploring the Forbidden in Gothic Fiction (EL45VA)
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30 Credit Points
This course looks at how eighteenth- and nineteenth-century Gothic Fiction confronts themes and concepts which are considered taboo, unpleasant or strictly. Sexuality and mortality are key themes here, as well as the crossing of class, racial and gender boundaries. We explore how the Gothic can be simultaneously deeply conservative and shockingly radical, and speaks to private fears and desires whilst bringing to public light social injustices and inequalities. This course focuses mainly on the Gothic novel, but may also include poetry and short stories.
We will endeavour to make all course options available. However, these may be subject to change - see our Student Terms and Conditions page.
How You'll Study
For each course, you will typically be studying one literary text per week. You will be encouraged to read relevant critical and contextual material on the texts you are studying and also be introduced to some important theoretical approaches to literature. From first through to third year you will follow a programme of lectures supported with a weekly small group tutorial or seminar.
Learning Methods
- Individual Projects
- Lectures
- Research
- Tutorials
Assessment Methods
Students are assessed by any combination of three assessment methods:
- Coursework such as essays and reports completed throughout the course.
- Practical assessments of the skills and competencies they learn on the course.
- Written examinations at the end of each course.
The exact mix of these methods differs between subject areas, years of study and individual courses.
Honours projects are typically assessed on the basis of a written dissertation.
Why Study English?
- The WORD Centre for Creative Writing promotes creative projects in fiction, non-fiction and collaborative mixed-media in all the languages of northeast Scotland (from Doric to Polish).
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Research centres include the Centre for the Novel, the Centre for Modern Thought and the Research Institute of Irish and Scottish Studies.
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An international profile through major literary projects such as the Cambridge Edition of the Works of Jane Austen and the Edinburgh Edition of the Waverley Novels of Sir Walter Scott.
- The spectacular, award-winning Sir Duncan Rice Library, with over a million volumes, state-of-the-art technology and home to literary treasures collected over 500 years charting the power of the written word from ancient papyri and medieval manuscripts to contemporary e-books and other media.
- Historic collections include a quarter of a million rare printed books, the 12th century Aberdeen Bestiary, MacBean Stuart and Jacobite Collection of international importance, the novels of Sir Walter Scott, and an exceptional collection of Charles Dickens’ first editions.
- A packed campus programme of student and public events, exhibitions, seminars, invited speakers and the annual WayWORD Festival which welcomes internationally acclaimed authors, broadcasters and public figures to campus every spring.
Aberdeen Global Scholarship
The University of Aberdeen is delighted to offer eligible self-funded international on-campus undergraduate students a £6,000 scholarship for every year of their programme.
View the Aberdeen Global ScholarshipEntry Requirements
Qualifications
The information below is provided as a guide only and does not guarantee entry to the University of Aberdeen.
General Entry Requirements
- 2024 Entry
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SQA Highers
Standard: AABB
Applicants who have achieved AABB (or better), are encouraged to apply and will be considered. Good performance in additional Highers/ Advanced Highers may be required.
Minimum: BBB
Applicants who have achieved BBB (or are on course to achieve this by the end of S5) are encouraged to apply and will be considered. Good performance in additional Highers/Advanced Highers will normally be required.
Adjusted: BB
Applicants who achieve BB over S4 and S5 and who meet one of the widening access criteria are guaranteed a conditional offer. Good performance in additional Highers/Advanced Highers will be required.
More information on our definition of Standard, Minimum and Adjusted entry qualifications.
A LEVELS
Standard: BBB
Minimum: BBC
Adjusted: CCC
More information on our definition of Standard, Minimum and Adjusted entry qualifications.
International Baccalaureate
32 points, including 5, 5, 5 at HL.
Irish Leaving Certificate
5H with 3 at H2 AND 2 at H3.
Entry from College
Advanced entry to this degree may be possible from some HNC/HND qualifications, please see www.abdn.ac.uk/study/articulation for more details.
- 2025 Entry
-
SQA Highers
Standard: BBBB
Applicants who have achieved BBBB (or better), are encouraged to apply and will be considered. Good performance in additional Highers/ Advanced Highers may be required.
Minimum: BBC
Applicants who have achieved BBC at Higher and meet one of the widening participation criteria above are encouraged to apply and are guaranteed an unconditional offer for MA, BSc and BEng degrees.
Adjusted: BB
Applicants who have achieved BB at Higher, and who meet one of the widening participation criteria above are encouraged to apply and are guaranteed an adjusted conditional offer for MA, BSc and BEng degrees.
We would expect to issue a conditional offer asking for one additional C grade at Higher.
Foundation Apprenticeship: One FA is equivalent to a Higher at A. It cannot replace any required subjects.
More information on our definition of Standard, Minimum and Adjusted entry qualifications.
A LEVELS
Standard: BBC
Minimum: BCC
Adjusted: CCC
More information on our definition of Standard, Minimum and Adjusted entry qualifications.
International Baccalaureate
32 points, including 5, 5, 5 at HL.
Irish Leaving Certificate
5H with 3 at H2 AND 2 at H3.
Entry from College
Advanced entry to this degree may be possible from some HNC/HND qualifications, please see www.abdn.ac.uk/study/articulation for more details.
The information displayed in this section shows a shortened summary of our entry requirements. For more information, or for full entry requirements for Arts and Social Sciences degrees, see our detailed entry requirements section.
English Language Requirements
To study for an Undergraduate degree at the University of Aberdeen it is essential that you can speak, understand, read, and write English fluently. The minimum requirements for this degree are as follows:
IELTS Academic:
OVERALL - 6.0 with: Listening - 5.5; Reading - 5.5; Speaking - 5.5; Writing - 6.0
TOEFL iBT:
OVERALL - 78 with: Listening - 17; Reading - 18; Speaking - 20; Writing - 21
PTE Academic:
OVERALL - 59 with: Listening - 59; Reading - 59; Speaking - 59; Writing - 59
Cambridge English B2 First, C1 Advanced or C2 Proficiency:
OVERALL - 169 with: Listening - 162; Reading - 162; Speaking - 162; Writing - 169
Read more about specific English Language requirements here.
International Applicants who do not meet the Entry Requirements
The University of Aberdeen International Study Centre offers preparation programmes for international students who do not meet the direct entry requirements for undergraduate study. Discover your foundation pathway here.
Fees and Funding
You will be classified as one of the fee categories below.
| Fee category | Cost |
|---|---|
| RUK | £9,535 |
| Tuition Fees for 2025/26 Academic Year | |
| EU / International students | £20,800 |
| Tuition Fees for 2025/26 Academic Year | |
| Self-funded international students commencing eligible undergraduate programmes in 2025/26 will receive a £6,000 tuition waiver for every year of their programme - See full terms and conditions | |
| Home Students | £1,820 |
| Tuition Fees for 2025/26 Academic Year | |
Additional Fees
- In exceptional circumstances there may be additional fees associated with specialist courses, for example field trips. Any additional fees for a course can be found in our Catalogue of Courses.
- For more information about tuition fees for this programme, including payment plans and our refund policy, please visit our Tuition Fees page.
Scholarships and Funding
UK Scholarship
Students from England, Wales and Northern Ireland, who pay tuition fees may be eligible for specific scholarships allowing them to receive additional funding. These are designed to provide assistance to help students support themselves during their time at Aberdeen.
Aberdeen Global Scholarship
The University of Aberdeen is delighted to offer eligible self-funded international on-campus undergraduate students a £6,000 scholarship for every year of their programme. More about this funding opportunity.Funding Database
View all funding options in our Funding Database.
Careers
Studying English at Aberdeen will provide you with a thorough grounding in English Literature in both historical and modern contexts. The writing, research and presentation skills that you will develop are vital to many careers. Our previous graduates have gone on to work areas such as publishing, teaching, research, journalism, banking, speech therapy and television and radio broadcasting.
Our Experts
Information About Staff Changes
You will be taught by a range of experts including professors, lecturers, teaching fellows and postgraduate tutors. However, these may be subject to change - see our Student Terms and Conditions page.
Facilities
As an English student at Aberdeen, you will have access to excellent library resources built up over 500 years and located in the Sir Duncan Rice Library. You will also have access to state-of-the-art IT facilities whenever you need.
Discover Uni
Discover Uni draws together comparable information in areas students have identified as important in making decisions about what and where to study. You can compare these and other data for different degree programmes in which you are interested.
Get in Touch
Contact Details
- Address
-
Student Recruitment & Admissions
University of Aberdeen
University Office
Regent Walk
Aberdeen
AB24 3FX