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Image	Title	Item Description
JSS0573	Cheap Meal or Good Harvest, Elsie Marly	This is the last page of Gow's Complete Repository, Part Fourth, 1817. Gow gives the music - Elsie Marley - and the 'Figures of the Old Country Bumpkin' dance. The reader could 'See Original Tune page 38 First Repository'.
JSS0574	Invereshie - A Strathspey	This is by William Marshall, from 'Marshall's Scottish Airs', 1822. Marshall (1748-1833) of Keithmore, near Fochabers, Banffshire, was factor to the Duke of Gordon. He published two collections of his own fiddle compositions; another was published posthumously. He was one of the few important composers of Scottish dance music of his day who did not have to make a living only through music. Marshall also built clocks, designed his own home, and was a well-respected North-east figure.
JSS0575	Craigellachie Bridge. A Strathspey	This is by William Marshall, from 'Marshall's Scottish Airs', 1822. Marshall (1748-1833) of Keithmore, near Fochabers, Banffshire, was factor to the Duke of Gordon. He published two collections of his own fiddle compositions; another was published posthumously. Marshall also built clocks, designed his own home, and was a well-respected North-east figure.
JSS0576	Lament for Sir Harry Niven Lumsden, Bart of Achindoir	This is by William Marshall, from 'Marshall's Scottish Airs', 1822. Marshall (1748-1833) of Keithmore, near Fochabers, Banffshire, was factor to the Duke of Gordon. He published two collections of his own fiddle compositions; another was published posthumously. Marshall also built clocks, designed his own home, and was a well-respected North-east figure.
JSS0577	The Cradle Song	Manuscript, in Gavin Greig's hand, of page 1 of Skinner's Harp and Claymore Collection. This is the final draft, the copy used by the printers when they set the music for publication. Afterwards, the publishers returned the draft copy to Greig. Compare this version with those at JSS0062 and JSS0064. Click on the audio link to hear Skinner playing the Cradle Song.
JSS0578	Page 1 of 3, The Bonnie Lass o' Bon-accord	Manuscript, in Gavin Greig's hand, of the scored out page 2, not used in Skinner's Harp and Claymore Collection. This is the final draft, the copy used by the printers when they set the music for publication. Afterwards, the publishers Bayley and Ferguson (London and Glasgow) returned the draft copy to Greig.
JSS0579	Page 2 of 3, The Bonnie Lass o' Bon-accord	Manuscript, in Gavin Greig's hand, of page 2 of Skinner's Harp and Claymore Collection. This is the final draft, the copy used by the printers when they set the music for publication. Afterwards, the publishers Bayley and Ferguson (London and Glasgow) returned the draft copy to Greig.
JSS0580	Page 3 of 3, The Bonnie Lass o' Bon-accord	Manuscript, in Gavin Greig's hand, of page 3 of Skinner's Harp and Claymore Collection. This is the final draft, the copy used by the printers when they set the music for publication. It is interesting to compare this with earlier versions: JSS0016, JSS0017, JSS0018.Click on the audio link below.
JSS0581	Bovaglie's Plaid	Manuscript, in Gavin Greig's hand, of page 5 of Skinner's Harp and Claymore Collection. This is the final draft, the copy used by the printers when they set the music for publication. Afterwards, the publishers Bayley and Ferguson (London and Glasgow) returned the draft copy to Greig. You can listen to Skinner playing this by clicking on the audio link below (cd19b).
JSS0582	Ossian	Manuscript, in Gavin Greig's hand, of page 7 of Skinner's Harp and Claymore Collection. (See JSS0021 for an earlier version.) This is the final draft, the copy used by the printers when they set the music for publication. Afterwards, the publishers Bayley and Ferguson (London and Glasgow) returned the draft copy to Greig.

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Historic Collections · Kings College · Old Aberdeen · AB24 3SW
Tel:(0)44 1224 274312 · E-mail: scottskinner@abdn.ac.uk

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