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The Collection

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There are 900 records in the collection.

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Image Title Item Description
Good Morning Mrs Barclay
JSS0795
Good Morning Mrs Barclay Skinner stayed with Mrs Barclay in The Gordon Arms Hotel, Keith, Banffshire, after his bankruptcy and marriage break-up.
Jamie and His Bonnie Cattie
JSS0796
Jamie and His Bonnie Cattie The 'Jamie' of the title is Jamie Ingram, Skinner's friend Gramin's son, who died as a child. Gramin, an Aberdeen Free Press correspondent, wrote many verses to go with Skinner's tunes.
Roualeyn's Plaid
JSS0797
Roualeyn's Plaid Skinner has given examples at the foot of the page of the forms of bowing he developed: the 'straight slur', the 'arrow' and the 'loop'. In each case, he describes when and how to use these devices. The setting of the melody is interesting - unusually, it is scored for violin and piano or 2 violins...
Fyvie Castle
JSS0798
Fyvie Castle This melody is described as a 'pastoral weird and eerie. In keeping with this, Skinner has included an eerie excerpt from 'Castles of Aberdeenshire'.
Dr Macdonald
JSS0799
Dr Macdonald The Dr Macdonald of the title was Dr Keith Norman Macdonald, who published the Gesto Collection of Highland Music in 1895. The Gesto Collection was influential on Skinner's own Harp & Claymore Collection.
We'll Aye be fond o' Ingram
JSS0800
We'll Aye be fond o' Ingram The Ingram of the title was George Gordon Ingram, who wrote under the pen name, Gramin. A good friend of Skinner's, he emigrated to St Paul, Minnesota, in March 1889.
Albert
JSS0801
Albert This pastoral, dedicated to another member of the Ingram family, has been composed along the lines of a technical study. It is full of arpeggios, scale passages, leaps and couplets. The melody is actually in the upper part of the piano accompaniment.
Mr Marshall
JSS0802
Mr Marshall This pastoral strathspey was designed to be listened to, rather than danced to. A pastoral strathspey was played at a much slower tempo.
Dalkeith's Lament
JSS0803
Dalkeith's Lament Throughout his composing career, Skinner developed his ability to compose fiddle music in the bagpipe idiom. Some of this is extremely successful. In the Logie Collection, he included a section of this 'bagpipe' music. He points out that the pipes cannot play the note G sharp.
The Cameron Highlanders
JSS0804
The Cameron Highlanders Skinner composed this piece in memory of his brother Sandy. Sandy served in the Cameron Highlanders between 1857 and 1868. CLick on the audio link to hear Skinner playing it.

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