The Collection
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There are 900 records in the
collection.
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| Image | Title | Item Description |
|---|---|---|
 JSS0543 |
Page 1 of 2, Spanish Dances with their English figures as danced | Manuscript, in James Webster's (see JSS0545) hand. 'El duca de San Carlos': 'Down the middle half right & left at bottom, Up again, A [glide?] right and left at top, set and turn Partners.' 'El Maestro de Ceremonias', then 'Los Aabros de Vittoria': 'Right & left, A Flamenco down the middle & up again,... |
 JSS0544 |
Page 2 of 2, Spanish Dances with their English figures as danced | Manuscript, in James Webster's (see JSS0545) hand. 'Bolero': 'Down the middle and up again, advance & retire, Turn your Partner, 1/2 right & left, the same repeated.' 'Le Garçon V [?T]olage. French Dance.' 'Les quatre Dames en Avant - 4 bars, Les Cavaliers Idem [the same]_4 bars. Balancer 8 a vos dames... |
 JSS0545 |
Title page, Music Book of James Webster | Decorative cover of collection: 'This Book Belongs To James Webster AD 1836 AleHouseHill. Brucklay New Deer'. (See JSS0543, JSS0544.) Left to the University by J. Murdoch Henderson (1902-1972), mathematics teacher, fiddle enthusiast, collector and composer. At the bottom of the page he provides the provenance:... |
 JSS0546 |
Title Page, Catharine Jean Moir's Collection of 82 Strathspeys, Reels, etc | 'Catharine Jean Moir, Fyvie January 1st 1790', written, presumably in her hand, within an engraved cartouche. She was learning the harpsichord. The first pages of her manuscript show that she had a methodical teacher. |
 JSS0547 |
Page 1 of 2, Gamut for the Harpsichord | From the music book of 'Catharine Jean Moir Fyvie January 1st 1790', written, presumably in her hand, within an engraved cartouche. She was learning the harpsichord with a methodical teacher. This page shows the range of the instrument on the treble and bass staves, and examples of notes from semibreve... |
 JSS0548 |
Page 2 of 2, Gamut for the Harpsichord | From the music book of 'Catharine Jean Moir Fyvie January 1st 1790', written, presumably in her hand, within an engraved cartouche. She was learning the harpsichord with a methodical teacher. This page shows sharps, flats, naturals, dots, rests, graces (decorations), and time signatures. |
 JSS0549 |
Title page, A Collection of Ancient Piobaireachd or Highland Bagpipe Music | Piobaireachd [pibroch] are the most complex of all bagpipe music, with a main theme (urlar) followed by difficult and exacting variations. This important collection was collected, arranged, and published by David Glen, of a prominent family firm of Edinburgh bagpipe makers, in 1880. The piper's Highland... |
 JSS0550 |
Scale for the Bagpipe (A major) | This fingering chart for the Highland bagpipe scale, is from 'A Collection of Ancient Piobaireachd' [Pibroch]) (see JSS0549). Skinner wrote and published many tunes which could be played on the pipes, and which are still performed around the world. |
 JSS0551 |
Mackintosh's Lament 1526 | This piobaireachd [pibroch] is from David Glen's 'A Collection of Ancient Piobaireachd') (see JSS0549). It appears not only in collections of bagpipe music, but in many manuscripts and published versions for violin. It was first published by the Scot James Oswald (1711?-1769) in London in the 1740s.... |
 JSS0552 |
Page 1 of 2, Bannocks of Beer Meal | From 'A Collection of Scots Tunes some with variations for a violin, hautboy, or German flute, with a bass for a violoncello or harpsichord', by Edinburgh violinist and composer William McGibbon (c. 1690-1756), then Edinburgh's most prominent musician. The first 4 staves of his variation use 'double... |
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