Last modified: 31 May 2022 13:05
This course explores how cinema has interacted with war, beginning with Kracauer's theory of the collective unconscious during the post-World War 1 period of Germany before discussing Bazin's approach to Italian neorealism and its provocative post-fascist landscapes. Since the genesis of cinema, armed conflict has been a recurring topic for fiction filmmakers and this module will question how and why key representations have emerged. This approach will include challenging the presentation of European Empires, the frequent jingoism and Orientalism of Hollywood's Vietnam War, China's contemporary "Wolf Warrior" blockbusters and the more recent attempts to readdress colonial or military presence in Africa. Contextualising the study of film with a concurrent understanding of geopolitics and cultural changes, this module will also offer students a study in past and present as well in formative, historical, psychological and realist approaches to cinema.
Study Type | Undergraduate | Level | 3 |
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Term | First Term | Credit Points | 30 credits (15 ECTS credits) |
Campus | Aberdeen | Sustained Study | No |
Co-ordinators |
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This course explores how cinema has interacted with war, beginning with Kracauer's theory of the collective unconscious during the post-World War 1 period of Germany before discussing Bazin's approach to Italian neorealism and its provocative post-fascist landscapes. Since the genesis of cinema, armed conflict has been a recurring topic for fiction filmmakers and this module will question how and why key representations have emerged. This approach will include challenging the presentation of European Empires, the frequent jingoism and Orientalism of Hollywood's Vietnam War, China's contemporary "Wolf Warrior" blockbusters and the more recent attempts to readdress colonial or military presence in Africa. Contextualising the study of film with a concurrent understanding of geopolitics and cultural changes, this module will also offer students a study in past and present as well in formative, historical, psychological and realist approaches to cinema.
Information on contact teaching time is available from the course guide.
There are no assessments for this course.
There are no assessments for this course.
Knowledge Level | Thinking Skill | Outcome |
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Factual | Remember | ILO’s for this course are available in the course guide. |
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