production
Skip to Content

MU3523: THEORY AND PRACTICE OF EXPERIMENTAL MUSIC (2017-2018)

Last modified: 27 Feb 2018 18:57


Course Overview

This course will help students develop a critical awareness of the history and practice of experimental music in the 1950s to 1980s, particularly focusing on the experimental music in North America and Continental Europe. What is experimental music? What historical and aesthetica significance does experimental music in the 50s onward on a diverse range of today's music making (classical and popular music)? By conducting a wide-ranging survey of music from Cage, Feldman, Ashley, Young, Conrad and Reich, happenings by Fluxus, electronic and minimal music, the course encourages students to survey and explore various experimental ideas for their compositional project.

Course Details

Study Type Undergraduate Level 3
Term Second Term Credit Points 15 credits (7.5 ECTS credits)
Campus Old Aberdeen Sustained Study No
Co-ordinators
  • Dr Suk-jun Kim

Qualification Prerequisites

None.

What courses & programmes must have been taken before this course?

  • Either Programme Level 3 or Programme Level 4
  • Bachelor of Music

What other courses must be taken with this course?

None.

What courses cannot be taken with this course?

None.

Are there a limited number of places available?

No

Course Description

The course will survey the development of experimental music since the early 1950s in North American and Continental Europe, focusing on the history, key composers and compositions, and techniques. Along the way, the course will always make links between experimental music as a historical concept and as a contemporary theme. Throughout the course, the students will be strongly encouraged to break away from the typical concert-based musical work to seek out new and experimental ideas and framework for their compositional and performance practice. 


Contact Teaching Time

Information on contact teaching time is available from the course guide.

Teaching Breakdown

More Information about Week Numbers


Details, including assessments, may be subject to change until 30 August 2024 for 1st term courses and 20 December 2024 for 2nd term courses.

Summative Assessments

1st Attempt: Final composition (100%)

Resit: 3000-word essay of the topic agreed by the course coordinator

Formative Assessment

There are no assessments for this course.

Feedback

Oral feedback will be provided on contribution to seminars and presentations.

Written feedback will be given on the concert review and the final composition.

Course Learning Outcomes

None.

Compatibility Mode

We have detected that you are have compatibility mode enabled or are using an old version of Internet Explorer. You either need to switch off compatibility mode for this site or upgrade your browser.