Last modified: 25 May 2018 11:16
This module develops students' knowledge and understanding of early modern European painting, providing a chronological overview of elite portraiture and diplomatic commissions in England between 1530 and 1650. Artists studied in their English contexts include Hans Holbein, Nicholas Hilliard, Peter Paul Rubens and Anthony Van Dyck. Furthermore, this module asks important questions about the persuasive and diplomatic possibilities of the visual arts, the relationship between painter and patron, and the impact and legacy of foreign artists on British painting and visual culture through the sixteenth and seventeenth centuries and beyond.
Study Type | Undergraduate | Level | 3 |
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Term | First Term | Credit Points | 30 credits (15 ECTS credits) |
Campus | None. | Sustained Study | No |
Co-ordinators |
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This course develops students' knowledge and understanding of early modern European painting, providing a chronological overview of elite portraiture and diplomatic commissions in England between 1530 and 1650; furthermore, it asks important questions about the persuasive and diplomatic possibilities of the visual arts, the relationship between painter and patron, and the impact and legacy of foreign artists on British painting and visual culture through the sixteenth and seventeenth centuries and beyond.
Information on contact teaching time is available from the course guide.
1st Attempt: 1 written assignment of 3,000 words (30%); 1 visual-based test of one hour (20%)]; class participation (10%) and 1 two-hour written examination (40%).
There are no assessments for this course.
Informal verbal feedback on group presentations will be provided by the tutor. Formal written feedback will be provided by the tutor for both student essays, with verbal feedback also available to students as required.
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