Postgraduate English 2021-2022

The course engages students in a variety of activities designed to develop their creativity and originality, as well as in specific tasks to test and extend their skill in the writing of poetry. Students will attempt imitations of a variety of different poetic styles, will be provided with a number of specific 'stimulus' exercises and will develop and revise their poems both independently and in regular workshop sessions.

This course is devoted to the development of non-fiction creative prose. Among the themes and genres engaged with will be: travel writing, psychogeography, non-academic critical writing, prose poetry, diary, memoir, and the fragment. Students will study examples across the genre and build up a portfolio of work, discussion of which will form the basis of weekly workshops.  

This course examines the social, political and cultural construction of place in literary texts. The imaginative co-ordinates of places such as ‘Scotland’, or ‘England’ exist in a constant state of flux, refusing to yield an essential, authentic image. Using core texts from the early modern period paired with more recent literary responses we explore the idea of place in its various forms. Key themes and issues to be discussed will include the rural and urban divide; literature and nationhood; the nature of community; the significance of emigration, and displacement; walking texts, metropolitan literature, and ideas of the “new world” 

This module explores how the evolution of the novel form has allowed, and required, authors to find new ways of depicting spaces, places and interactions (between characters in particular environments, but also between characters and their environment). This chronologically wide-ranging course moves from the early days of the novel form through to contemporary fiction, allowing for an opportunity to study the many literary tactics that authors have employed to create the settings for their works – from vast historical backdrops, to natural spaces, to urban environments, to smaller domestic and private places. It also us to consider how different cultural moments have prompted authors to rethink how they represent characters’ encounters with the world around them, and with the other cultures, races, species and genders that inhabit that world. As well as narrative theories, students will have the chance to study canonical and less well-known texts from angles informed by current critical approaches such as ecocriticism, animal studies, postcolonial and queer theory.

From Wordsworth’s lakes to Walter Scott’s Scottish Highlands, the concept of literary Romanticism is irrevocably tied to ideas of place and locale. During the Romantic era colonisation, urbanisation, agricultural reform and conflict all redefined how writers thought and wrote about their place within the world. This course will explore how Romantic texts have engaged with and defined place, looking not just at canonical examples of the romantic English landscape, but also exploring Romanticism’s global reach and Victorian and modern legacies. 

This core course introduces students to advanced study of the English language. Three key aspects of the structure of English are introduced: the sound patterns of English (phonology); the structure of English words (morphology) and the structure of sentences (syntax). We then consider the relationship between the semantic meaning of linguistic constructions and their pragmatic implications. The course will enable students to refer confidently to the structure and use of the English language in their own research projects, whether the focus is literary or linguistic. 

Taught by experienced, award-winning writers, this course will engage students in a variety of activities designed to develop their creativity and originality, as well as in specific tasks to test and extend their technical skill in the writing of prose fiction. Students will be encouraged to develop an awareness of the centrality of narrative voice, to experiment with a variety of different narrative styles and to develop and revise their work in the context of workshop discussion and individually targeted feedback from course tutors.

Art and culture are integral to our daily lives, and the ways in which these are experienced are continually changing. Whether it is in a street performance, a public gallery, an academic festival, a webcast, a documentary or in social media, the relationship between the creative artist and those who consume it, is complex and can itself be a creative process. This course explores the many ways in which creative materials can be brought to public view, and how different forms of communication, aural, verbal and visual, can enhance public engagement with aesthetic experiences and the discourses around these.

What is at stake in writing autobiographical texts? What are the forms writers have used to write themselves? Is autobiography simply, as Oscar Wilde states, the lowest form of criticism? Looking at a range of texts from the Medieval period to the present, with a special focus on women’s writing, this course examines the formal, ethical, political, and aesthetic choices writers make when writing themselves.

Of all ‘Barbarian’ languages, English is one of the longest recorded. This is both a blessing and a curse: there are texts from all periods of the language’s history which are available for study; linguistic and social changes have meant that these texts are often difficult to read. This course will give you the opportunity to learn how best to read these texts the best way this can be done: by reading the texts in an informed manner.

This course will concentrate on the often protean process of writing fiction in longer forms, simultaneously exploring the potential of expanding, extending or even transforming students’ work. While creating prose, students will develop their understanding of fiction writing and storytelling but always in relation to exploring the potential of plot and character development. Students will arrive at satisfying samples of work with reasoned potential for expansion. Through supportive sessions, students will conclude the course with a completed, rounded segment of work but with clear ideas of plotting and where their story can journey on forward to. 

This course explores the ways in which place is negotiated in a range of Scottish texts. Looking at a selection of texts about rural, urban, and diasporic experience across the centuries, and including both canonical and lesser-known works, this course will acquaint students with key debates in the study of regional and national fiction. Place in these texts is something to be praised and scorned, embraced and abandoned, but always remains central in any discussion of individual and communal identities. Major themes and issues to be discussed include: the idea of ‘home’; the role of nostalgia and longing in Scottish fiction; the nature of community; the significance of emigration and displacement.

This course is an opportunity for students studying the MSc in Cultural and Creative Communication to gain valuable work experience by doing a project-based placement with a cultural or creative organisation.

This core module takes a chronological approach to the development of English literary language (placing this within the context of language as a whole). Four canonical authors in English are used to facilitate the introduction of key concepts and terminology from across stylistics, sociolinguistics and literary studies. It is intended to equip students from the MLitt in English Language and Literature with the knowledge of these disciplines needed to produce a summer research project on their chosen topic.  

This course introduces students to a range of critical, theoretical, and philosophical approaches to environment and place, as well as aligned research methods. Students will read key works of ecocriticism, ecofeminism, environmental philosophy, cultural geography, and related areas. Close reading and discussion of central texts will provide a foundation for further research, including the dissertation. Students will have the opportunity to discuss these ideas in relation to both literary and social contexts. This course is restricted to students on the MLitt Literatures, Environments, and Places, or by permission of the School. 

This course will investigate different forms of scriptwriting by writers from a range of historical periods. We will be considering narrative form and content as shaped by subject selection and storytelling devices and structures. The filmic themes will be considered from aesthetic, historical and theoretical perspectives. Through a series of seminars, workshops and screenings, students will develop approaches to visualising film narratives, culminating in a scriptwriting folio of work.

This course will provide students with the opportunity to write an extended folio of creative work in either poetry or prose. It will provide students with the opportunity to explore and extend their creative ambitions in writing and, through the reflective commentary element, enable them to contextualise their own creative achievements in relation to works by established writers. Throughout the evolution of the folio, the student will develop a thorough practical awareness of some of the key stylistic, formal and expressive possibilities available to the skilled creative writer.

Under individual supervision, students will write a 15,000-word dissertation on a topic relating to cultural and creative communication to be approved by the Programme Co-ordinator.

The Dissertation project is a key part of the MLitt programme. Students complete a significant piece of independent research under the supervision of a specialist in English Language or Literature.

Each candidate will be required to research and write a 15,000 dissertation on a subject related to the themes of the Literatures, Environments and Places programme.