Last modified: 22 May 2019 17:07
Seminar-based classes will provide an historical overview of electroacoustic music that utilises the voice as sound object. The theme of each seminar, focused each week around a different aspect of the voice and technology, will provide the theoretical, philosophical, and aesthetic basis for practical applications, focusing on particular cultural and aesthetic issues that concern the mediated voice in recorded sound. Running concurrently, practical, studio-based classes will provide a technical overview of software applications and of sound recording techniques, particularly looking at the way the voice is rendered, represented or transposed through the electronic medium.
| Study Type | Postgraduate | Level | 5 |
|---|---|---|---|
| Term | Second Term | Credit Points | 30 credits (15 ECTS credits) |
| Campus | None. | Sustained Study | No |
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Practical, studio-based classes will provide a technical overview of various audio software applications and of sound recording techniques and the microphone. Running concurrently, seminar-based classes will provide an historical overview of electroacoustic music that utilizes the voice as sound object. The theme of each seminar, focused each week around a different aspect of the voice and technology, will provide the theoretical, philosophical, and aesthetic basis for practical applications. Drawing from readings, close analysis and listening of key electro-vocal works from the twentieth century and beyond, we will assess particular cultural and aesthetic issues that concern the mediated voice in recorded sound. The course will probe the role and influence of technology in compositions that involve the voice and technology, particularly looking at the way the voice is rendered, represented or transposed through the electronic medium.
Information on contact teaching time is available from the course guide.
Assessment: 1st Attempt: Mid-term composition project (40%); final compositional project (60%).
There are no assessments for this course.
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