Last modified: 22 May 2019 17:07
From Monteverdi's l'Orfeo to Gluck's Orfeo ed Euridice, drama set to music developed from a speculative genre to the dominant musical form of its time. Through the story of early opera, we can trace philosophical, aesthetic, and theoretical currents, and observe developments such as the rise of the virtuoso performer, the supremacy of the figured bass as compositional and improvisational tool, and the ever-changing relationship of music to text.
| Study Type | Undergraduate | Level | 3 |
|---|---|---|---|
| Term | First Term | Credit Points | 15 credits (7.5 ECTS credits) |
| Campus | Old Aberdeen | Sustained Study | No |
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From Monteverdi's l'Orfeo to Gluck's Orfeo ed Euridice, drama set to music developed from a speculative genre to the dominant musical form of its time. Through the story of early opera, we can trace philosophical, aesthetic, and theoretical currents, and observe developments such as the rise of the virtuoso performer, the supremacy of the figured bass as compositional and improvisational tool, and the ever-changing relationship of music to text.
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