Last modified: 25 Sep 2019 09:58
This course traces the twentieth-century rise of American painting, in relation to contemporary developments in Europe. Beginning with America's own art tradition and its initial responses to European Modernism, the course will capture the spirit of 1920s’ Realism and 1930s’ Regionalism and Social Realism before the outbreak of World War II. We will examine how the Abstract Expressionism of Pollock and Rothko made post-war New York the new centre of Western art. Finally, the course will consider 1960s’ Pop Art and the arrival of the post-modern climate.
| Study Type | Undergraduate | Level | 4 |
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| Term | Second Term | Credit Points | 30 credits (15 ECTS credits) |
| Campus | Aberdeen | Sustained Study | No |
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This course concentrates on twentieth-century American painting from the Armory Show in 1913 onwards. It considers the rise of American painting in relation to contemporary developments in Europe, from America's indigenous tradition and its initial responses to European Modernism, the Realism of Hopper, the Regionalism of Wood and Benton to the Abstract Expressionism of Pollock. The factors governing the triumph of American painting are examined. It then considers the works of Pop Art and Super-Realism and culminates in the post-modern climate of the 1990s.
Information on contact teaching time is available from the course guide.
| Assessment Type | Summative | Weighting | 30 | |
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| Assessment Weeks | Feedback Weeks | |||
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| Assessment Type | Summative | Weighting | 30 | |
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| Assessment Weeks | Feedback Weeks | |||
| Feedback | Word Count | 3500 | ||
| Knowledge Level | Thinking Skill | Outcome |
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| Assessment Type | Summative | Weighting | 30 | |
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| Assessment Weeks | Feedback Weeks | |||
| Feedback | Word Count | 3500 | ||
| Knowledge Level | Thinking Skill | Outcome |
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| Assessment Type | Summative | Weighting | 10 | |
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| Assessment Weeks | Feedback Weeks | |||
| Feedback | ||||
| Knowledge Level | Thinking Skill | Outcome |
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There are no assessments for this course.
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