Last modified: 25 Sep 2019 09:58
The first half of the course is devoted primarily to the work of Caravaggio. It locates his art in the naturalistic traditions of Lombardy and Venice, but stresses the aesthetic gulf that separates Caravaggio from his artistic sources.
Central issues include debate about whether Caravaggio was an exponent or critic of Counter Reformation ideology; the extent to which his pictures were painted directly from posed models; the nature and function of his famed 'chiaroscuro'; and how his 'realism' differed from the more 'classical' naturalism of his rival, Annibale Carracci. The course then focuses on Caravaggio's so-called 'followers'.
Study Type | Undergraduate | Level | 3 |
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Term | First Term | Credit Points | 30 credits (15 ECTS credits) |
Campus | Aberdeen | Sustained Study | No |
Co-ordinators |
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The first half of the course is devoted primarily to the work of Caravaggio himself. It locates the roots of his art in the predominantly naturalistic traditions of Lombardy and Venice, but also stresses the aesthetic gulf that separates Caravaggio from his supposed artistic sources.
Central issues to be addressed in the seminars include the current debate about whether Caravaggio was a dutiful exponent or covert critic of Counter Reformation ideology; the extent to which he constructed his pictures without preparatory drawings by painting directly from posed models (an allegedly novel procedure); the nature and function of his famed 'chiaroscuro'; and the ways in which his 'realism' differed from the more 'classical' naturalism of his main rival, Annibale Carracci.
The second half of the course deals with Caravaggio's so-called 'followers'.
Information on contact teaching time is available from the course guide.
Assessment Type | Summative | Weighting | 20 | |
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Assessment Type | Summative | Weighting | 30 | |
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Assessment Type | Summative | Weighting | 40 | |
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Assessment Type | Summative | Weighting | 10 | |
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There are no assessments for this course.
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