PhD in Composition; MMus (HONS) in Music Technology; Grad. Diploma in Art & Tech; BA in Theology
Personal Chair
- About
-
- Email Address
- s.kim@abdn.ac.uk
- Telephone Number
- +44 (0)1224 274618
- Office Address
MR008 School of Language, Literature, Music and Visual Culture, University of Aberdeen MacRobert Building King's College Aberdeen AB24 5UA
- School/Department
- School of Language, Literature, Music and Visual Culture
Biography
A Korean Composer and sound artist, Suk-Jun Kim has his music published by ICMC, IMEB, and SEAMUS, and M&R.Kim has published two books, "Humming" by Bloomsbury and "Hasla" by Kehrer Verlag Heidelberg. His humming project has produced a solo CD titled "Humming" in 2019. His research also focuses on sound studies, immersive sound, phenomenological approaches to the aesthetics of electroacoustic music, space and place among others. Kim is full professor and personal chair of Electroacoustic Music and Sound Art and Director of Postgraduate Research, LLMVC at the University of Aberdeen.
Internal Memberships
Entreprise and Innovation Lead, LLMVC
Prizes and Awards
His music has received a number of international awards: Métamorphoses (Biennale Acousmatic Composition Competition in Belgium: 2000 & 2008), Regional Composition Prize at 2008 ICMC in Belfast, Concurso International de Música Electroacústica Såo Paulo (CIMESP: 2007), Bourges International Competition (2001),and mentions and finalists in MUSICA VIVA (2005) and MUSICA NOVA (2002 & 2005).
Kim also received commissions from the Bourges commissions (2002, 2006 & 2009), SpACE-Net in UK (2007), and has been a resident composer at Bourges (2004, 2007 & 2009), Visby International Centre for Composer, Sweden (2007 and 2015), Atlantic Center for the Arts, Florida (2007), and MacDowell Colony, New Hampshire (2008). Kim was a resident composer at Artists-in-Berlin, DAAD, Germany (2009).
- Research
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Research Overview
- Electroacoustic music
- Sound art
- Sound studies
- Immersive sound and composition
- Futures of listening
- Humming
Research Areas
Accepting PhDs
I am currently accepting PhDs in Music.
Please get in touch if you would like to discuss your research ideas further.
Research Specialisms
- Sonic Arts
- Electronic Music
- Music Technology
- Music
Our research specialisms are based on the Higher Education Classification of Subjects (HECoS) which is HESA open data, published under the Creative Commons Attribution 4.0 International licence.
- Teaching
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Courses
- Publications
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Page 1 of 1 Results 1 to 61 of 61
고요 [goyo] (Korean), noun
A Sound Word Almanac. Bloomsbury Publishing Plc., pp. 28, 1 pageChapters in Books, Reports and Conference Proceedings: Chapters- [ONLINE] View publication in Scopus
아득한 [adeukan] (Korean), adjective
A Sound Word Almanac. Bloomsbury Publishing Plc., pp. 5-6, 2 pagesChapters in Books, Reports and Conference Proceedings: Chapters- [ONLINE] View publication in Scopus
빙빙: Being Being
Non-textual Forms: CompositionsHome-البيت-집: Syrian Humming Project: Third Responses
Non-textual Forms: Compositions(c)ovid's Metamorphoses
Non-textual Forms: CompositionsWe Are The Primitives of A New Era: Immersive VR Work
Non-textual Forms: CompositionsAn Audible Witness to History
Non-textual Forms: Exhibitions- [ONLINE] Exhibition Website (English)
- [ONLINE] Sound Museum Description
- [ONLINE] https://vrtopos.com/portfolio/acoustic-theater/
Impulse of Air: Sensing-based AR Sound Installation
Non-textual Forms: Exhibitions- [ONLINE] System Workflow of Impulse of Air
Humming: Electroacoustic music (musical CD)
Non-textual Forms: CompositionsCrowd-sourcing the sounds of places with a web-based evolutionary algorithm
Chapters in Books, Reports and Conference Proceedings: Conference Proceedings- [ONLINE] DOI: https://doi.org/10.1145/3319619.3322028
- [ONLINE] View publication in Scopus
Humming
Bloomsbury, New York. 176 pagesBooks and Reports: BooksThe Specters of 1948
Non-textual Forms: Compositions- [ONLINE] News article on the project.
- [ONLINE] Exhibition/performance event site.
The Hum III for Brass Pots and Live Coding
Non-textual Forms: Performances- [ONLINE] Festival Website
The Hum II for Brass Pots and Live Coding
Non-textual Forms: CompositionsA Question
Non-textual Forms: CompositionsHedda
Non-textual Forms: Performances- [ONLINE] 3-min abstract of the live performance
- [ONLINE] Preview of the performance
- [ONLINE] Hedda Website
Humming Pots (sonADA Ver.)
Non-textual Forms: CompositionsSealed to Become
Non-textual Forms: CompositionsTake to the Air
Non-textual Forms: CompositionsThin Lines
Non-textual Forms: CompositionsThis Hum (Yet Not a Hum)
Non-textual Forms: CompositionsThe Hum I for Baritone Saxophone and Live Electronics
Non-textual Forms: CompositionsLeylines
Non-textual Forms: CompositionsMotion Capture
Non-textual Forms: CompositionsTo Enin (Berlin)
Non-textual Forms: CompositionsFour Landscapes
Non-textual Forms: CompositionsGranite Sound
Non-textual Forms: CompositionsAberdeen Laughing: An audiovisual installation
Non-textual Forms: ExhibitionsThe Pagan's Feast
Non-textual Forms: CompositionsThe Passion
Non-textual Forms: CompositionsThe Point is This
Non-textual Forms: CompositionsVoscillation
Non-textual Forms: Compositions- [ONLINE] https://vimeo.com/119053871
Waiting for Oona
Non-textual Forms: CompositionsBeing Persistently in Place I: Union St., Aberdeen
Non-textual Forms: PerformancesAberdeen Bestiary: Sound-Image-Narrative
Non-textual Forms: CompositionsOf the Caladrius
Non-textual Forms: CompositionsOf the Owl
Non-textual Forms: CompositionsOf the Wolf
Non-textual Forms: CompositionsThree Types of Engagement with Place Through Acousmatic Listening and Composition
Taking Part in Music: Case Studies in Ethnomusicology. Russell, I., Ingram, C. (eds.). University of Aberdeen: Elphinstone Institute, 15 pagesChapters in Books, Reports and Conference Proceedings: ChaptersAberdeen Humming
Non-textual Forms: ExhibitionsDown and Up
Non-textual Forms: ExhibitionsThree Cities (Intermedia Installation)
Non-textual Forms: ExhibitionsThree Returns
Non-textual Forms: CompositionsDifferent Passings
Non-textual Forms: CompositionsTime felt and places imaged in my compositions
kunsttexte.de, vol. Auditive Persoektiven - Künstlerische Forschung, no. 2Contributions to Journals: ArticlesA Critique on Pierre Schaeffer’s Phenomenological Approaches: Based on the Acousmatic and Reduced Listening
Proceedings of the International Conference Pierre Schaeffer: mediArt. Ziherl, J. (ed.). Muzej moderne i suvremene umjetnosti/Museum of Modern and Contemporary Art, pp. 123-133, 11 pagesChapters in Books, Reports and Conference Proceedings: ChaptersHasla
Kehrer Verlag, Heidelberg, Germany. 88 pagesBooks and Reports: BooksAcousmatic reasoning: an organised listening with imagination
Contributions to Conferences: PapersImaginal listening: a quaternary framework for listening to electroacoustic music and phenomena of sound-images
Organised Sound, vol. 15, no. 1, pp. 43-53Contributions to Journals: Articles- [ONLINE] DOI: https://doi.org/10.1017/S1355771809990252
Painting Nahhamu
Non-textual Forms: CompositionsA Travel Log: From Fwarrheu to Hejning
Non-textual Forms: ExhibitionsOn the Way to Fwarrheu
Non-textual Forms: CompositionsTalk to Us!
Non-textual Forms: CompositionsWelcome to Hasla
Non-textual Forms: CompositionsCorresponding
Non-textual Forms: CompositionsIgeori, Jeogeori, Gakgeori
Non-textual Forms: CompositionsKotmun (A Gate of Flowers)
Non-textual Forms: CompositionsWhat the Bird Saw
Non-textual Forms: CompositionsSamul: Jing
Non-textual Forms: CompositionsGaesim
Non-textual Forms: CompositionsMidong
Non-textual Forms: Compositions
