Current Research
Currently, I am researching the literary concept of Carnival, and how its ethical and political dimensions might be utilized in museum spaces. At present, I am exploring how temporal aspects of Carnival, such as grotesquery, billingsgate, and embodiment, relate to anthropological and ethnographic displays; how Carnivalesque aspects already appear, and how they might enhance ethical practice and theory. I have spoken about this at conferences, including Museum Temporalities: Time, History and the Ethnographic Museum, and have published articles on the subject in publications such as Museum Worlds, with my article 'Heterotopia or Carnival Site?: Rethinking the Ethnographic Museum'
I am also examining negative and ambiguous affect in museum spaces, notably notions of the grotesque, uncanny and abject. I am writing on anxiety and unease as powerful productive forces in museum spaces, and their relation to contemporary activism, within and without museums. In a recent contribution to Knell's The Contemporary Museum: Shaping Museums for the Global Now, I argue that anxiety has the potential to produce a radical critique of museum practice and museology.
As a historian and 'accidental ethnographer', I also have an interest in the behind the scenes practices of museum production. In particular, I am interested in documentation, and how it can inform us about museum attitudes, staff roles and relationships, object and collection histories, and displays, past and present. Two articles from the Journal of Museum Ethnography, 'Paper Identities: Constructing the Curator in Museum Documentation' and 'Unforseen Constellations: Documentary Porosity and the Ethnographic Museum' might be of interest. I plan to work with the University of Aberdeen's collections to examine historical practices of documentation from 1850-1950 in some upcoming research.
Some of these projects arise from my AHRC Funded PhD thesis, Timescapes: The Production of Temporality in Literature and Museums. This thesis considered how temporal experience is manipulated in museums, and how this affects their performance and the people who interact with them using literary production and theory as analytical frameworks. It can be accessed via the Leicester Research Archive at http://hdl.handle.net/2381/27954. I hope to have it published as a monograph soon.
