Professor Christopher Collins

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Professor Christopher Collins
Professor Christopher Collins
Professor Christopher Collins

BA (Hons), MPhil, PhD, FHEA, MISM

Head of School, Chair in Music

Accepting PhDs

About
Email Address
chris.collins@abdn.ac.uk
Office Address
B13 Taylor Building
Old Aberdeen Campus
High Street
AB24 3UB

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School/Department
School of Language, Literature, Music and Visual Culture

Biography

Chris Collins is Head of the School of Language, Literature, Music and Visual Culture. The multidisciplinary nature of the School is reflected in his own areas of interest, encompassing music, literature, performance art, theatre, European studies and modern languages.

Chris is an authority on the life and work of the Spanish composer Manuel de Falla (1876-1946). His research encompasses a wide range of methodologies, including documentary research, formal analysis, inter-art relations, reception history, and cultural studies. He also works on early 20th-century music more broadly, and has a sideline in popular music research, focusing especially on the period from the mid 1960s to the early 1980s.

Chris has taught and given public lectures on all periods of music history, and has delivered specialised courses on topics ranging from musicological methodology to conducting, and from Wagner to Kate Bush and Björk. He is a highly experienced orchestral, choral and operatic conductor, and over the past 20+ years has directed performances of repertoire ranging from Monteverdi (born 1567) to Mared Emlyn (born 1988). He currently directs the University of Aberdeen Symphony Orchestra.

Chris was formerly Head of the School of Music and Media at Bangor University where he oversaw programmes in music, film, journalism, drama, media studies and production, delivered in both English and Welsh (Chris is a fluent Welsh-speaker). He is active as a campaigner for music education at all levels, and is a vociferous advocate for the UK music industry. He was President of the Independent Society of Musicians in 2020-21. He is a Board member of Aberdeen Performing Arts, a member of the Culture Aberdeen Executive Committee, and is a member of the Strategic Group for the Big Noise programme in Torry, Aberdeen. He is currently Chair of the QAA Subject Benchmark Statement review group for Music.

Chris’s spare time is spent walking, cycling, reading, playing the piano and listening to music.

Qualifications

  • PhD Music 
    2002 - Bangor University 

    Thesis title: 'Manuel de Falla and his European contemporaries: Encounters, relationships and influences'

  • MPhil Music 
    1998 - Bangor University 
    Thesis title: 'Manuel de Falla and L'Acoustique nouvelle'

Memberships and Affiliations

Internal Memberships
  • Head of School, School of Language, Literature, Music and Visual Culture
  • Ex-officio member of Senate
  • Member of Financial Recovery Group
  • Member of Space Management Group
  • Member of Risk Management Committee
  • Member of Student Recruitment Committee
  • Member of Staff Experience Committee
  • Chair of Aberdeen 2040 Delivery of Education Task and Finish Group (2022)
External Memberships
  • Chair, Subject Benchmark Statement Review Panel for Music, QAA (2024-25)
  • Scottish representative, MusicHE (2023- )
  • Executive Committee member, Culture Aberdeen (2022-24)
  • Research network member, 'Inter-art Connections: Music and Literature in the Spanish Silver Age' (based at Universidad Complutense de Madrid) (2020- )
  • Member of Royal Musical Association EDI Working Group (2020-22)
  • Strategic Group member, Big Noise Torry (2020- )
  • Member of Editorial Board, Musicología, Universidad de Granada (2022- )
  • Member of Advisory Board, Epistolario Manuel de Falla, Universidad de Granada (2019- )
  • President, Independent Society of Musicians (2020-21)
  • Ordinary Member of Council, Royal Musical Association (2017-20)
  • Expressive Arts Advisor, Curriculum Reform, Welsh Government (2016-18)
  • Contributing author of Music Benchmark Statement, QAA (2016 and 2019)
  • Trustee, Codi'r To – Sistema Cymru (2016-22)
  • External Examiner for Music and Drama programmes, Bath Spa University programmes at ESART Barcelona (2016-20)
  • Member of Editorial Board, Quodlibet (2015- )

 

Research

Research Overview

  • Manuel de Falla
  • Music in Spain and France, c. 1880-1939
  • Music in the Nordic countries, c. 1890-1930
  • Popular music and culture in Britain, c. 1960 onwards 
  • Sketch studies
  • Word-music relations
  • Music pedagogy

Research Areas

Accepting PhDs

I am currently accepting PhDs in Music.


Please get in touch if you would like to discuss your research ideas further.

Email Me

Music

Supervising
Accepting PhDs

Spanish and Latin American Studies

Research Specialisms

  • Musicology
  • History of Music
  • Spanish Studies
  • Popular Music
  • Ballet

Our research specialisms are based on the Higher Education Classification of Subjects (HECoS) which is HESA open data, published under the Creative Commons Attribution 4.0 International licence.

Current Research

Chris is currently writing a monograph on international aspects of Manuel de Falla's life and work, and is preparing a new edition of Falla's published writings in collaboration with Elena Torres Clemente (Universidad Complutense de Madrid). He is also a contributor to the ongoing critical edition of the correspondence of Manuel de Falla. He is pleased to supervise research students in areas relating to his own specialist interests.

Knowledge Exchange

Chris has spoken widely about his work, including broadcast interviews on BBC Radio Wales and at international conferences and festivals, ranging from Festival No. 6 in Portmeirion, North Wales, to the China-Shanghai International Arts Festival.

Supervision

My current supervision areas are: Music.

Current PhD supervisees:

  • Claudia Falcone (Domestic music-making by women in early 19th-century Britain)
  • Yichun Feng (The development of modern Chinese opera under the influence of Western opera) *
  • Hengyu Lu (The application of Chinese musical traditions in the performance of Western piano music) *
  • Yi Wang (The development of commercial popular music festivals in China)

Previous PhD and MPhil supervisees have included:

  • Michael Foy (Albert Lister Peace: organist and composer) *
  • Alexander Jarrett (Pierre Villette: his life and works) *
  • Sa Do Kim (Combining Korean traditional music with Western classical music) *
  • Amanda Mackey (Girls' choirs in British cathedrals)
  • Emma Peake (Aetiology of upper string players' pain and its prevention) *
  • Matthias Wurz (Musical Interpretation and Imagery in Pierrot Lunaire) *

* projects involving a practice-based element

Teaching

Teaching Responsibilities

Chris has taught on a wide range of topics in European music history from Hildegard of Bingen to Kate Bush, via Wagner, Debussy, the Ballets Russes, and the Beatles. He also teaches musicological methodology, word-music relations, music analysis and conducting, and is experienced in coaching music performance. He contributes to cross-School teaching, including workshops on undertaking research and writing dissertations.

Non-course Teaching Responsibilities

Chris is director of the University of Aberdeen Symphony Orchestra, with a student membership extended across all Schools of the University.

Publications

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  • Spanning a frontier: Manuel de Falla’s Trois Mélodies and multinational identity

    Collins, C.
    Contributions to Conferences: Papers
  • Luz en la oscuridad: observaciones sobre la composición de las Noches de Falla

    Collins, C.
    Manuel de Falla: Noches en los jardines de España: edición facsímil de los manuscritos fundamentales del Archivo Manuel de Falla y del Archivo de Valentín Ruiz Aznar. Nommick, Y. (ed.). Publicaciones del Archivo Manuel de Falla and Junta de Andalucía, pp. xvii-lxxiii, 57 pages
    Chapters in Books, Reports and Conference Proceedings: Chapters
  • Don’s delights, review of Carol A. Hess, Sacred Passions: the life and music of Manuel de Falla (New York, 2005)

    Collins, C.
    The Musical Times, vol. 146, no. 1892
    Contributions to Journals: Literature Reviews
  • Northern light, review of Daniel M. Grimley (ed.), The Cambridge Companion to Sibelius (Cambridge, 2004)

    Collins, C.
    The Musical Times, vol. 146, no. 1890, pp. 103-106
    Contributions to Journals: Literature Reviews
  • Falla in Europe: Relations with his contemporaries.

    Collins, C.
    Manuel de Falla: His Life and Music. Harper, N. (ed.). Scarecrow Press, pp. 247-284, 38 pages
    Chapters in Books, Reports and Conference Proceedings: Chapters
  • Memoires intimes, review of Samuel Hsu, Sidney Grolnic and Mark Peters (eds.), Claude Debussy As I Knew Him and other writings (Rochester, NY, 2003)

    Collins, C.
    The Musical Times, vol. 145, no. 1889, pp. 101-103
    Contributions to Journals: Literature Reviews
  • Images of Spain, review of Matthew Brown, Debussy’s Ibéria (Cambridge: CUP, 2003)

    Collins, C.
    The Musical Times, vol. 145, no. 1887, pp. 118-119
    Contributions to Journals: Literature Reviews
  • The Passion of Youth

    Collins, C.
    Eight Little Greats [Opera North programme]. Leeds: Opera North pp. 27-29, 3 pages.
    Chapters in Books, Reports and Conference Proceedings: Other Contributions
  • Manuel de Falla, L'acoustique nouvelle and Natural Resonance: A Myth Exposed.

    Collins, C.
    Journal of the Royal Musical Association, vol. 128, no. 1, pp. 71-97
    Contributions to Journals: Articles
  • Falla in Britain

    Collins, C.
    The Musical Times, vol. 144, no. 1883, pp. 33-48
    Contributions to Journals: Articles
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