Aberdeen filmmaker inspired by story of soprano supported by Lord Strathcona

Aberdeen filmmaker inspired by story of soprano supported by Lord Strathcona

A film created by an Aberdeen academic exploring the life of a soprano whose musical rise was supported by a former University chancellor has won awards and been included in the official selection of a number of international film festivals.

Madame Donalda by Professor Alan Marcus, Chair in Creative and Cultural Practice, examines the life of Pauline Lightstone, who performed as Madame Donalda. Filmed in Montreal, London and Aberdeen, it has generated much international interest.  

Donalda’s stage name was a tribute to Donald Smith, who became Lord Strathcona (1820-1914) a Scottish-born Canadian businessman who became a leading philanthropist after making his fortune from investments in land, railways, and banking.  

Born in Forres, Moray, in 1899 he was appointed Lord Rector of the University of Aberdeen and later became its Chancellor.

As a 15-year-old, the purity of Pauline’s voice was recognised during musical rehearsals at a synagogue and she was then awarded a place at the Royal Victoria College (RVC), originally the women's college at McGill University.

Lord Strathcona was a champion of women’s education at McGill and was a proponent of the education of women and furthering women’s opportunities.

He agreed to support Pauline’s ‘fully rounded musical education’ including study at Conservatoire de Paris.

Lord Strathcona’s second benefaction to the College was made under his middle name of Donald and the women supported by ‘the Donalda Endowment’ proudly called themselves ‘the Donaldas’ – a tradition adopted by Pauline Lighthouse who appeared on stage as Pauline Donalda.

After a successful debut in Nice, France, in 1904, her artistic career quickly took off. In 1905, she sang at London’s Covent Garden for the Queen and at The Brussels Royal Opera House.

These performances earned her tremendous acclaim and for many years she sang the leading operatic roles at Covent Garden and the great opera houses of Europe. She also toured Britain and sang at Aberdeen’s Musical Hall.  When World War I broke out, she suspended her international career and organised benefit concerts to support the war effort.

From 1922 she devoted herself to teaching voice and in 1942 founded the Opera Guild of Montreal, which went on to stage the first Canadian performances of many operas.

Professor Marcus, whose own father Rudy Marcus received his degrees from McGill including an honorary doctorate, and at 101 is the oldest living Nobel laureate (Chemistry, 1992) in North America, said he was inspired by a story which pulls together many threads of his own life.

“I was told the story of Madame Donalda aka Pauline Lightstone by a great uncle of mine some 35 years ago when I learned that she was a relative of ours, and it made a sufficient impression on me that I was hopeful one day I might be able to tell it in film form,” he added.

“The key elements of the story involving a daughter of European immigrants to Montreal, who against the odds rose to become in her early-20s one of the great sopranos of her day, adapts well to film, because through moving image and sound one can provide a more vivid impression and sense of presence. 

“During the years of research and drawing upon archives in London, Montreal and Ottawa, I was able to piece together through news items and her personal correspondence and much archival imagery, the various components of Donalda’s life. 

“What was unexpected was the Aberdeen connection and the fact that her patron, from whom she took her stage name, Madame Donalda, was a keen proponent of women’s education and served both as Chancellor of McGill, where she studied, and the University of Aberdeen.  The personal connection I and my family have with Aberdeen and McGill added an immediacy to the story.”

The film has received Best Documentary and Best Editing awards at the Experimental Dance and Music Film Festival 2024 in Toronto, the Best Classical Music film award at the Buenos Aires 11th Music Film Festival 2025, and official selection at ten other film festivals including the Los Angeles Film and Documentary Awards 2024.

Professor Marcus said: “It is gratifying that the film has been included in various international film festivals and won awards, but what I hope is that when people view the film they not only learn of Donalda’s talents and be intrigued with her extraordinary accomplishments, but also be enthralled by the short performances in her old recordings, and more recently through the participation in the film of Bulgarian soprano, Sofia Dimitrova, who brings the musical pieces to life with great passion.”

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