This is a past event
Memory, Music and Movement
An AHRC-North Atlantic Fiddle Convention (NAFCo) Networking Project
The Elphinstone Institute of the University of Aberdeen in partnership with Cape Breton University
Writers in pop songwriting teams can find themselves categorised either as topline (melody and lyrics) or as production (arrangement and grooves), with a smaller group of composers who successfully do both. In traditional music in Britain, it is generally only the topline which receives serious consideration from scholars, and which is considered to carry the ‘traditional’ content. Instead, this paper traces bass traditions in Scottish fiddle music through written and printed sources and into the recording era, and it observes the interaction of these traditions with those of the topline.
David McGuinness divides his time between historical Scottish music and contemporary work. As director of early music ensemble Concerto Caledonia he has made thirteen albums, mostly of newly-rediscovered repertoire, and has been a music producer and composer for television and radio, most notably on several seasons of E4’s teen drama series Skins. In 2007 he produced John Purser’s 50-part history of Scotland’s music for BBC Radio Scotland, and co-ordinated the station’s observance of No Music Day with the artist Bill Drummond. From 2012 to 2015 he was principal investigator on the AHRC-funded project Bass Culture in Scottish Musical Traditions, and from 2018 he will be music editor of the Edinburgh Allan Ramsay edition, also funded by the AHRC. In Spring 2018, Drag City will release What News, an album of traditional ballads made in collaboration with singer Alasdair Roberts and electroacoustic composer Amble Skuse. David is a Senior Lecturer in music at the University of Glasgow.
- Speaker
- David McGuinness
- Hosted by
- Newcastle University
- Venue
- the International Centre for Music Studies (ICMuS), Newcastle Upon Tyne, NE1 7RU
- Contact
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Free Event. No Booking Required.