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The Quatercentenary celebrations 1906

On the 27th of September 1906, the City of Aberdeen welcomed King Edward VII and Queen Alexandra to open the new buildings at Marischal College, amidst some of the most extravagant celebrations and expressions of civic pride ever demonstrated in Aberdeen.

Although the University was founded in 1495, the completion…

Published by Museums and Special Collections, University of Aberdeen

George Jamesone's Lybica and Aegyptiaca & the representation of race

In 1641, twelve paintings representing the Sibyls were gifted to King’s College by Principal William Guild. A receipt found in the archives implied the identity of the original artist to be George Jamesone (Pryor 2002:61) but affirmed that during the 18th century the works had been restored and repainted by the…

Published by Museums and Special Collections, University of Aberdeen

Envisioning Women: Stories from the George Washington Wilson collection - The Skene Street School Photograph

The Skene Street School Photograph

Written by Dr Alison McCall, former Chair of Women’s History Scotland and a participant in the Mapping Memorials to Women project, this blog post explores one of the most striking photographs in the online exhibition, Envisioning Women’s Places: Photographs from the George Washington Wilson Collection. Alison documents her…

Published by Museums and Special Collections, University of Aberdeen

Animating Alex

When the Covid 19 restrictions prevented us from filming on campus, we got animated!

Back in early summer, UoA Collections received funding from the Scottish Book Trust to develop a series of filmed micro-tutorials with the award winning children’s author, Alex McCall as part of the annual Book Week Scotland festival that…

Published by Museums and Special Collections, University of Aberdeen

Mirror mirror on the wall, why do we protect (objects) at all?

Introducing Safekeeping, an online exhibition curated by students on the University of Aberdeen’s Museum Studies MLitt.

There is a mystery, a sense of excitement walking into an exhibition space. Whether it is art or history, the cool room, low lights and pristine glass protecting what is behind it make…

Published by Museums and Special Collections, University of Aberdeen

Gauffering

The term gauffered edges is often seen in the catalogue descriptions of bindings in our collections. This is a lovely decorative feature of some books, where the edges of the text block are decorated like this:

The term is thought to come from the French gaufre, meaning to impress or iron; and that…

Published by Museums and Special Collections, University of Aberdeen

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